A Beginners’ Guide to Plein Air Painting (2024)

Have you always wanted to go plein-air painting, but are overwhelmed by all of the things you need or maybe are shy about painting in public? You’re not alone! Today I'll address some of the most common concerns and help make those initial paintings a little less scary and a little more enjoyable.

What if I Don’t Finish in Time?

A Beginners’ Guide to Plein Air Painting (1)

  • Start Small - Leave that giant canvas and ego at home. I suggest a postcard sized canvas or smaller. Working on these little pieces will allow you to finish more than one, and is also lighter to pack.
  • Use Big Brushes - Do yourself a favor and forgo those tiny detail brushes too! Using bigger brushes will force you to simplify into shapes, and will be much more efficient at covering the canvas quicker.
  • Keep it Simple - Instead of painting the wide landscape with that house, tree, mountain, and pond, zoom in on a simple subject like a single tree or umbrella. Preferably something with consistent light that won’t be moving around much.
  • Take a Photo - Don’t be afraid of taking photos. You aren’t cheating, the camera is a tool! I always take a photo to get a good composition, and also to serve as a reminder of how the light and shadows were. Just don’t use the photo as a crutch, try to get as much done from life and memory as possible.
  • Do Multiple Sessions - You can always do more than one session! I’ve been doing larger pieces with multiple sessions and really love it. It takes off a little bit of stress of needing to get it done in one go, and lets you add the level of detail that you want. Just make note of the time of day and conditions so you replicate that moment as much as possible.
  • I Don’t Want People to Look!

    A Beginners’ Guide to Plein Air Painting (2)

    While there’s certainly people that thrive on being the center of attention, not everyone loves that aspect of plein-air. Some artists want to simply be left alone or perhaps lean on the shy side, so I’ve gathered a handful of handy tips for you.

  • Go sans-Easel - I find that one of the most effective ways to keep people from noticing you is to just be a little more discreet in your setup. Painting without an easel on a bench or on the ground, with a simple sketchbook in hand is way less attention grabbing than a full easel setup.
  • Over-the-ear Headphones - It’s hard to paint if you’re constantlytorn out of your flow state, so having over-the-ear headphones has been a good way to cut down on the unnecessary chatter. Some people still will find a way to talk, but it’s easier to pretend to not notice them with these on. Note: Be aware of your environment and don’t use any noise cancelling features if it’s unsafe.
  • Find a Group - Plein-air painting can feel like you’re wearing a giant hot dog costume in public. While it’s really embarrassing and hard to go out alone, if you’re with 10 other people wearing hot dog costumes it isn’t SO bad. There’s a growing number of great plein-air groups out there, and I highly recommend venturing out with some to start out. While it might not attract LESS attention, it can be easier to handle if you’re not the only one.
  • Car Painting - Car painting is a great stepping stone to plein-air. It’s private, quiet, and you can paint in all sorts of weather conditions. You can make quite the fancy setup with steering wheel tables, easels, and other accessories. James Gurney has a great post about it HERE.
  • But The Changing Weather and Light is Intimidating!

  • Weather ObstaclesA Beginners’ Guide to Plein Air Painting (3)
    • Wind - Windy conditions are tricky! High winds can tip over unsteady easels, and dry out your gouache or watercolor paints. Look for locations with a little more wind protection (going on top of an exposed hilltop isn’t the best idea), and if you’re using a tripod easel, be sure to weigh it down and extend the middle leg out more for more support. Some easels have a hook in the middle that you can hang your pack on for stability.
    • Rain -Gouache and watercolor artists are a bit out of luck on this one, but I have painted in light rains with gouache. An umbrella is key, as well as a flexible attitude. Oils are great for rainy day paintings.
    • Heat -The heat is one of the more difficult types of weather to paint in, personally. Shade is ESSENTIAL, and I swear by mybestbrella. The metallic one is good for those super hot days to reflect the sun away, but I like the white umbrella so I can see my painting a little better. Gouache painters, be sure to have your spray bottle on hand because your gouache will dry up quick.
    • Cold -Cold weather makes gouache dry slowly, so prepare for that and use a little less water in your mixes. I carry around little hand warmers since my hands are always quick to freeze up. Be sure to bundle up, when you’re standing still for hours the cold gets intolerable pretty quick.

  • Changing Light - The best times for beginner plein-air painters is (in my opinion) between 11am and 3pm. The sun is high in the sky and the light changes aren’t as drastic. Morning and evening light is the most beautiful and dramatic, but changes very quickly and can be frustrating. Also, be sure to check for which way the sun is moving so you can predict the shadow directions and if your subject’s light will change unfavorably.
  • Lighting on Your Painting - Light on your subject is important but don’t forget about the light on your painting. If you are standing in dark shade, your painting might look lighter than you expected when you stand in normal lighting. If your canvas is in full sunlight, your work might end up darker and higher contrast than intended. It’s good to occasionally check your work under both shadow and light.
  • Be Prepared

  • Create a Checklist - I tried to come up with a clever acronym to remember all of my gouache painting supplies, but ended up with way too many “P”’s (Paint, Palette, Paper towels, Paper). It is far too common to go all the way out to a painting destination and realize you forgot a crucial supply, so make a list and double check it!
  • Pack Essentials - Other than art supplies, I have some essentials that make being out all day a little more tolerable and safe. Sunscreen, snack bars, phone chargers, business cards (people will ask!), hand wipes, artists tape and maybe even a first aid kit if you’re going on a long hike.
  • Check the Weather - Knowing your weather conditions is so important. Make a habit of checking it before you head out so you can find a comfortable place to be.
  • Safety First - Bring a buddy when you can, especially to unfamiliar places. If you’re going alone, it’s good to tell friends or family where you will be. Also be prepared to have some run-ins with local wildlife, and learn what to do when you encounter them.
  • With all that said, remember, practice and persistence is the most important key, and over time you will learn things that work best for you. So get on out there, enjoy the smells, sounds and sights of the great outdoors, and HAVE FUN!!!

    A Beginners’ Guide to Plein Air Painting (2024)

    FAQs

    What is the best time of day for plein air painting? ›

    Changing Light - The best times for beginner plein-air painters is (in my opinion) between 11am and 3pm. The sun is high in the sky and the light changes aren't as drastic. Morning and evening light is the most beautiful and dramatic, but changes very quickly and can be frustrating.

    How to approach plein air painting? ›

    Seven tips for painting en plein air
    1. Travel light and get creative with your choice of materials. ...
    2. Simplify your palette. ...
    3. Use found water. ...
    4. Collect and use found items. ...
    5. Use your smartphone to capture a visual reference. ...
    6. Use easily portable cases to transport supplies. ...
    7. Don't wear sunglasses while painting.

    What is the best paint for plein air painting? ›

    Oil colors are the classic plein air painting medium, the one preferred by artists like Monet and Renoir, and the one most frequently thought of when considering the subject.

    What is the difference between plein air and landscape painting? ›

    Color choices in the landscape are a combination of direct observation and interpretation. We begin by borrowing from the colors we see, but inevitably we modify or alter the color we see when the painting demands it. In plein air painting, working directly from life, we rely much more on direct observation of colors.

    What size is best for plein air? ›

    Panels sizes 9x12, 11x14, or 12x16 inches will work well for plein air painting.

    How do you carry wet canvases during plein air? ›

    You can also buy special clips called canvas carrier clips, which enable you to carry two facing canvases without piercing the edges. These options work well for one or two paintings, but if you have more, consider a wet canvas box. Guerilla Painter Handy Porter is one model that comes in several sizes.

    Are pastels good for plein air? ›

    I've continued to work in both mediums, but I've come to rely on painting with pastels more often for plein air, because of the speed. The very same pigment is used for both mediums — pastels are pure pigment compressed into stick form, and pure pigment with added oil becomes oil paint.

    Which artists like to paint en plein air? ›

    French impressionist painters such as Claude Monet, Camille Pissarro, Alfred Sisley, and Pierre-Auguste Renoir advocated plein air painting, and much of their work was done outdoors in the diffuse light of a large white umbrella.

    How long does a plein air painting take? ›

    Some plein air paintings can be finished on location – taking only a matter of hours, while others require us to return to the same spot for several days. Finishing, however, is not a requirement or necessarily the best practice for outdoor painting. Most professional artists don't even sell their plein air work.

    Which invention made plein air painting easier? ›

    While the Barbizon School is characterised by a group of artists painting en plein air, it wasn't until the invention of paint in a tube in 1870 that made the technique more widely accessible.

    Can you use acrylics for plein air painting? ›

    OPEN Acrylics, Mediums and OPEN Thinner – Tubes are best for plein-aire and each artist will choose the color palette that best suits the way they work.

    Why is it called plein air? ›

    En plein air is a French expression meaning “in the open air”, and refers to the act of painting outdoors with the artist's subject in full view. Plein air artists capture the spirit and essence of a landscape or subject by incorporating natural light, color and movement into their works.

    What is the best time of day to paint? ›

    Everyone agrees that early morning is the absolute best time to begin a painting job. There is plenty of natural light streaming in, and you have hours to get the job done. When you open all of the windows and doors, you can control and minimize the “new paint smell” that you will have throughout the day.

    Should you paint in the evening? ›

    Temperature: Opt for moderate temperatures and plan to paint early in the morning or during cooler evening hours. Humidity: Low humidity contributes to efficient paint drying. Safety: Stay hydrated, take breaks, and shield yourself from the sun's rays.

    When should painting be done? ›

    Before The Following:
    1. Before Large Pieces Are Installed.
    2. Before Most Flooring is Installed.
    3. After Interior Plumbing and Electrical are Done.
    4. After Old Floors are Removed.
    5. After Drywall and Spackling is Dry.

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