Line, Shape, and Form (2024)

First, we're gong to focus on line,shape, and form. 0:00

These are some of the most fundamentalelements of art design and 0:05

I think you'll find that they'reclosely related to one another. 0:08

The most basic element of art anddesign is line. 0:12

A line is a point that moves continuously,like the motion of a single brush stroke. 0:17

Sometimes a line is all that'sneeded to create an image. 0:25

Like in this case of a figure drawing,lines can both unify and divide. 0:28

A horizontal line might createa peaceful horizon in a landscape, 0:36

or a line can be used to break up a space. 0:42

For example, horizontal and vertical linescan be used to divide different sections 0:46

of content on a websiteinto logical groups. 0:50

And communicate organization andstability. 0:53

However, lines can also be diagonal orwavy in shape. 0:57

There could be scribbles all overthe screen that are still just lines. 1:04

This has a tendency tocommunicate disorder and 1:08

chaos, and that's not necessarilya good or a bad thing. 1:10

Understanding the elements andprinciples of art and 1:15

design from an objective perspective canhelp you use them to your advantage. 1:17

You might use diagonal linesto help lead the viewer's eye. 1:23

Or you might use chaotic squigglylines to draw more attention to 1:28

a part of your design. 1:32

Lines can also take ondifferent qualities. 1:34

Lines might be solid or dashed. 1:38

And they might have a very straight edgeor a rough edge, like a brush stroke. 1:41

If you're familiar with CSS,the border property maps to this idea. 1:47

A solid line can communicatesomething that is definitive and 1:52

absolute, while rougher lines mightindicate that something is more temporary. 1:57

For example, dashed or 2:03

dotted lines are sometimes used toindicate an edge where someone should 2:04

cut the paper with scissors,such as a coupon or a shipping label. 2:09

The next element is shape. 2:15

Shapes are areas thatare defined by contrast. 2:17

For example, a shape might be definedby a set of lines coming together 2:22

to form a closed area or a shape mightbe defined by a difference in value. 2:27

A shape could also be an areathat's different in color. 2:34

In software and on the web,you find geometric shapes everywhere, 2:38

and in particular you find lotsof rectangles from content cards, 2:43

and drop down menus,to the actual screens themselves. 2:48

This tends to give software a veryboxy look, with lots of horizontal and 2:53

vertical lines, andlots of rectangles arranged in a grid. 2:58

This can communicate a lot of stability ororganization, which can be a good thing. 3:03

But you can also breakaway from the grid and 3:08

rectangular shapes to drawattention to an area of a web page. 3:10

Similarly, a complicated layout might usetoo many rectangles and too many shapes. 3:15

This can create what I like tocall a box within a box aesthetic, 3:22

where there's just too manynested shapes and rectangles. 3:25

Instead of adding organization orstructure, 3:30

this can actually cause the page to feelcluttered with lots of visual friction. 3:33

The last element that we'll talk abouthere that's closely related is form. 3:38

Form is geometry that existsin three dimensional space. 3:44

You might think this isn't applicable, 3:49

since software typically existson a flat bed of pixels. 3:51

But artists have used shading andperspective for 3:55

thousands of years to createthe illusion of depth and form. 4:00

Photos and illustrations canappear to have depth, and 4:04

technologies like WebGL canadd 3D models to a web page. 4:08

And furthermore, the future ofspatial computing using virtual and 4:13

augmented reality makes formmore relevant than ever. 4:17

Form can elicit a strong emotionalresponse because it maps to our 4:22

everyday experience of a tactile andthree-dimensional world. 4:26

3D geometric shapes might beused to break up a space on 4:30

a page in the same way as line. 4:35

Or the same way that you mightuse shapes to, once again, 4:37

direct the user's eye towardan important page element. 4:41

As you can imagine, the possibilitiesare quite literally endless. 4:45

Line, Shape, and Form (2024)
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